In case you missed Part 1, check it out here. I’m just going to get right into it.
Pint Glass – Brasserie McAuslan St. Ambroise Oatmeal Stout
This strange one pours black with a tan rusty head. The smells rising from the liquid are 100% mesquite. I’m immediately reminded of the one and only other beer that I’ve had that could be described in that way, Arcadia’s Imperial Stout. This beer is smokey and sweet at the same time. Did they add barbecued wood to the boil? The mouthfeel is a bit watery and thin, which seems odd considering the fact that the brewery went as far as to say that this is an oatmeal stout. Oatmeal, being the key word. I’d expect more luxury from the oats. The aftertaste, however, is very lingering and allows for some chocolate and coffee notes to be uncovered. At 5% abv, this beer feigns strength, but has no lack of intriguing flavor. Good stuff from north of the border.
We drank this beer, out of a pint glass, and it was good. If you want to know what it’s like, read my full review of it here.
Mug – Bell’s Special Double Cream Stout
Ah Bell’s Brewing, a Mid-West stalwart. There will never be a time that I’m not excited to swill some of their precious nectars, unless of course they are spoiled. That’s what happened here. Most likely, the store that we bought this from did not take proper care of the merchandise. The 10 malts that are used to brew Double Cream Stout push the abv to a level that is probably a bit low for cellaring, 6.1%, but we have only had it down there for a little over 6 months. I’m fairly confident that it wasn’t our doing, but who really know.
Everything started out just dandy. It poured with a very attractive head of tan that rose an average height and then eventually settled completely. There was coffee and some dark chocolate in the nose. Though the smell was not necessarily exciting, it didn’t put me off. The flavor, however, did put me off. I found it to be bitter, oily and acidic, with some mal-brewed coffee lingering in the midst. Then, as it lingered on my tongue, things went tart and I was assured that this was absolutely not what Bell’s intended. Frustrating, to say the least. We better move on.
Snifter – Traquair House Ale
This 7.2% Scottish brew departs its bottle with a clear brown, near red color and possesses a stark white, thin head. I found it to smell exactly like Juicy Juice. I guess that means it’s like a plethora of fruits mashed into one indistinguishable, homogeneous piece of produce. Grape and cranberry might have been most prevalent, but it’s hard to say for sure. The fluid has a very striking smoothness. On the back of the tongue there is a lot of Belgian yeast fruitiness, possibly some bubble gum. There is a very pleasant, sweet aftertaste. In summation, this beer is just plain juicy, and it works…well.
The snifter is my favorite of glasses. I like the way it looks, distinguished. I like the way it feels in my hand, rounded and organic. The way the circumference of the lip is slightly smaller than the apex of its width, it really allows for a slight “trapping” of the precious odors, all the better for me to smell my dear…
Chalice – Brouwerij Haacht Gildenbier
I really shouldn’t be in charge of writing about this beer. This little gem that we brought back from Belgium with us is DSR’s little baby. If you are ever in his presence, just mention Gildenbier, or “the archer beer”, or the beer we discovered in the underground, dungeon like brick lair that is Pelgrom in downtown Antwerp. He may demand your attention for about the next hour with his tales, but believe me, it will be time well spent. The man is passionate about Gildenbier, and I can’t blame him in the slightest. It exists in a very special corner of our collective hearts. It is Belgium in a bottle. Let’s see how it tastes.
When the great archer is inverted, out pours a clear brown liquid with a subdued white head that soon dwindles to a spotty foam. It has a very pronounced date aroma, but distinctly of Belgian descent. There is a lot of malt depth to be found here, with some roasty, grain sweetness providing a sturdy body. That all too familiar Belgian yeast fruitiness is very prevalent, and for me it mostly manifests into a very recognizable pear essence. Ever so delightful.
Chalice – Brouwerij De Bie Stoute Bie
This is another little nugget that survived the long flight back from Europe. Our tongues first became acclimated with the work of De Bie in a pretty bad ass beer bar in Brugge called Cambrinus. As time passed after Cambrinus, we realized that their beers were surprisingly hard to come across in Belgium, so when we found a bottle, we snagged it. This, like the above Gildenbier, was slightly difficult for us to open. In a perfect world we could keep them for years and years to come and eventually open them in a much more ceremonious way, where reminiscence may stand long overdue. But we know better, and with Stoute Bie’s 5.5%, it would surely not last such a span of time. So here we are, and here’s what it was like.
Stoute Bie pours black in color with the most glorious head ever. The foam is crazy fluffy with orange, red, and brown highlights. The nose is very, very complex. It is wildly sweet and sour. There is a fruitiness within that plays with the sour, lending thought of sour cherries. Also in the nose, an oily coffee bitterness, and vinegar. How perplexing? The flavor is intensely sweet up front with many of the scents translating over. The only flaw here is found in the aftertaste, which is plagued by that metallic flavor that we have previously discussed finding in many beers of Belgium. We still don’t really get how that comes to pass. If there is any redeeming aspect here with the Bie, it’s that the metal is slathered in a super sweet syrup. Not enough to mask it completely, but enough to prevent it from spoiling the experience.
Snifter – Deschutes The Abyss
You see that snifter next to The Abyss over there? Yeah, that little puppy is made of crystal. That gold rim, that is some high carat, real deal gold. When Beer Blotter busts out the vintage Abyss, they drink it in styzile.
Just as a reminder, this beer is brewed with molasses and licorice and 33% of it is aged in oak and oak bourbon barrels. It fills the crystal glassware with pure black oil liquid and a tan head that settles to a wisp and ring. It is very earthy in the nose. There is very little sweetness to be noted. The wood and licorice come out in the nose, as do roasted malts, all of which seem to impart a barren dryness. The flavor is very peppery up front, shifting into molasses soaked wood. I can only think to call the flavor “mature”. It reminds me, in a way, to Pu-erh tea. It’s just so earthy that I feel it’s much more of an acquired taste than most beers. So very dry. In the exhale following the swallow, the booze and licorice mingle expertly. Some salty pretzel notes simmer to the surface as the beer warms. This beer is really unique and deserves it’s notoriety.
One of my writers in crime here at Beer Blotter, Jess R., quite recently published a very well crafted article about glassware. It reminded us all of the overwhelming importance of presenting beer in its proper vessel.
In turn, we were reminded of the the one place in the world where bartenders actually feel the need to offer a heartfelt apology for momentarily being out of the proper glass for the beer ordered: where else but Belgium. Thoughts of Belgium take us down never ending roads of memory that we will most definitely not get into right now.
But for us three blotterers, a chance to get together, drink beer, and reminisce about our mighty Euro trip will never go unrealized. In the midst of that exciting undertaking, we figured why not clear out a small corner of the cellar that drastically needed to be cleared, all the while bringing it full circle with just the topic that spawned the meeting, glassware.
This night was epic. I guess we had a lot more cellar space to open up than we thought. Time will not allow me to copy all of my notes on all of the beer-glass pairings of the night in one sitting, so here I present part 1.
Pilsner Glass – Victory Brewing Summer Love Ale
Though dubbed an ale right there in the name, this was most likely brewed with California Common yeast, which would indeed make it an ale but would attribute many characteristics of a lager. Thus, the pairing with the pils glass, which allowed the head to stay compact and lively in the decreased circumference, where it would normally dwindle and lay dormant in short time. This beer was specially made for Philly Tourism, who recently contacted us due to Timperial’s roots there.
We took our popular With Love, Philadelphia XOXO tourism initiative from campaign to consumer experience by partnering with Victory Brewing Company to create Summer Love Ale. Brewed locally in Chester County, PA with pale malts, German hops and water from the Brandywine River, the golden brew began flowing at bars throughout the Philadelphia region during the annual Philly Beer Week in June.
Check out this quote from Victory Brewer Bill Covaleski:
Summer Love starts with an all German malt base upon which we overlaid crisp German hops for that familiar, import quality that some many beer drinkers find attractive and comfortable, then we put bright, lemony Citra hops, grown here in the US, into the mix for an exciting aroma to start and refreshing and enduring finish. Kinda like Philly. Mostly familiar but always surprising!
My notes of the beer read as follows: This pours, not surprisingly, light in color, hazy yellow with a white head of very large bubbles. The odor is very impressive in it’s hoppiness; floral and grassy. This is very easy drinking with excellent sweetness coming from mild caramel notes. From a light(er) beer perspective, this is really well balanced with a striking lemony, citrus hop profile. I could drink this for days!
Tulip Glass – Victory Brewing Saison Du Buff
This beer was originally released under Stone Brewing’s liscense as part of their collaboration series. Dogfish Head, Stone and Victory teamed up to create this one, but each brewery is now releasing it under their own license and with their own distinctive artwork.
I found this beer to be hazy golden in color with intense carbonation. To call it spicy and floral would be an understatement. Herbal to the nth degree. Some possible herbs at play are chamomile, ginger, coriander, citrus peel, rosemary, sage… It’s a cornucopia.
The head quickly subsided to nothing at all, which I found to be very odd with respect to the lively carbonation. Perhaps oils from the herbs had negative effects on the retention?
The aftertaste seemed to linger for days, and I also found it to be surprising that the finish was not super dry, which seems to be commonplace with saisons in general. Damn good beer!
Goblet – The Bruery Trade Winds Tripel
This is seriously no ordinary beer for no ordinary glass. For branding consistency sake, I turned the glass around to the non-logo side for the picture (left) but just take my word for it that it’s a Westvleteren glass. We got that shit straight from In De Vrede in West Flanders! And the beer…well, it’s made by The Bruery…’nuff said!
This puppy weighs in at 8.1% and is brewed with rice and Thai basil. It pours a soft amber hue with above average carbonation and pretty poor clarity. Arising on the pour, a luscious white head that sticks around. In the nose, that striking candy sweetness that accompanies nearly all true Belgian tripels. There is also a malty sweetness that lends credibility to the brewer’s art.
The basil manifested itself into a simple, neutral spicy characteristic, and I also found there to be a very pronounced green apple quality. The lacing on the glass is not to be scoffed at and all that sweetness lends to a fantastically smooth mouthfeel.
The aftertaste is mesmerizing as well. Booze and grains come out as it warms, but I don’t find either to be negative here.
Flute – Ommegang Zuur
This 6% Flemish Sour Ale was brewed in collaboration with the much heralded Belgian sour brewer Liefman’s. It fills the glass with a brownish ruby red color and possess respectable clarity.
Initially, as it makes contact with the glass, the carbonation is wild and it’s very difficult to pour anything but a glass full of foam. As quickly as the suds rise up they dissipate to not but a trace. I find dark fruit in the scent, mostly the cherries that it was brewed with, and a good dose of funky, sour tartness, spot on for the style.
On the tongue, it’s prickly with the carbonation and tensing with tartness. Puckering yes, but I’ve soireed with many Flemish ales with much more zing. There is a pleasant bread-like maltiness in behind all the pizazz, but the overall body and intensity is underwhelming in the end.
Many respects for Ommegang for taking a swing at this exciting style, and though it’s very drinkable, it’s no Rodenbach.
People know that when you drink champagne, flutes are in order and red and white wines each have their own style of glassware. What is the point? The shape of the glass is custom made to enhance the flavors and texture of these beverages. Beer, despite the contrary, generally should not be drank directly out of the bottle or can because flavors will be stifled, textures will be dulled and just like wine, beer needs to breathe.
Each type of beer should be served in a particular glassware such as a tulip glass or a pint. Yes, there is a method to this madness, as well as a sophistication generally not associated with beer. Although this tradition of glassware is not as prevalent in the US of A, head to Belgium and you will visit bars that are stocked with every style of glassware to accompany the many genres of beers.
And without further ado, I present you with the various styles of glassware:
Pilsner, a light bodied, light colored, easy to drink and highly carbonated beer is served in a glass smaller than a pint glass, usually in 250 ml or 330 ml sizes. They are tall, slender and tapered. The slender glass will reveal the color, and carbonation of the beer, and the broad top will help maintain a beer head.
The Beer Stein
I am very fond of this style of glass- its large and it has a top that you get to flip open when you want to take a sip. I searched the streets of Dusseldorf, Germany to find one to no avail. This style was invented during the Black Plague so beer drinkers could keep insects and disease out of their glass. Therefore, it is not built to enhance your beer, but protect it instead.
The most popular glassware among beer drinkers in the USA- it is cheap to make, easy to store and easy to drink out of. We have a cabinet full of them, from different breweries and bars we have visited within our country’s boarders. I associate pint glasses with hoppy beers such as IPAs or thick beers such as dry stouts. There are two standard sizes, the 16-ounce (US Tumbler – the pour man’s pint glass and most common) or the 20-ounce Imperial (Nonic), which has a slight ridge towards the top, a grip of sorts and helps in stacking them. The 20-ounce version is preferred to accommodate more beer or beers with large crowning heads.
Goblet or Chalice
These noble glasses are generally paired with Belgian ales- big sipping beers such as Triples, Quads, Weissbier, Dubbels as well as German bocks. A description from Beeradvocate.com tells us the slight difference between a goblet and a chalice:
Majestic pieces of work, ranging from delicate and long stemmed (Goblet) to heavy and thick walled (Chalice). The more delicate ones may also have their rims laced with silver or gold, while the heavy boast sculpture-like stems. Some are designed to maintain a 2-centimeter head. This is achieved by scoring the inside bottom of the glass, which creates a CO2 nucleation point, and a stream of eternal bubbles and perfect head retention as a result.
I associate these glasses with royalty and the wide mouth lends itself to deep sips.
Used for stiff drinks like cognac and brandy, the snifter is the baller of glassware. These glasses are perfect for evoking flavor and scent. Therefore, this particular style of glassware should be paired with strong beers like barley wines, imperial stouts and barrel aged beers, as well as lambics (due to their fruity scent and sugary bodies). My only advice to you is…don’t forget to swirl your glass!
A dainty, pretty shaped glass named after the flower it mimics, the tulip glass is stemmed with an hourglass figure. Bulbous at the bottom, the flavors, aromas and head are all captured at the angled top. This style of glassware is perfect for Imperial IPAs (talk about lacing and a foamy head), Saisons/Farmhouse ales (it will bring the funk to the forefront) and Scotch Ales (the maltiness will knock your socks off).
The size and shape of glassware matters when aiming to get the most of your beer, but decoration is key when showing it off. Decorative glassware has become an art in the beer industry across the globe.
Breweries have showcased glassware with artistic designs to complement your beer drinking experience. Duvel, a Belgium brewery makes their own glassware and has for some time. It is a stumpy tulip glass with their logo on it, simple, nothing out of the ordinary.
Recently, they released a collectible item: the Duvel Collection. Three glasses, four international artists (there is one team of two artists) and three creations make up the Duvel Collection. Each glass has a different creative approach, but all are vibrant and eye catching. Christmas is coming up, if anyone is so inclined.
Another brewery, Delirium Tremens from Brussels, Belgium (been to the brew pub!) is known for their quirky pink elephants which grace their bottles, glassware and other promotional apparel. Although Delirium Tremens refers to a severe form of alcohol withdrawal, the vibrant, fun loving glassware will make your shakes disappear. Generally, the glassware I have seen by this brewery are in the form of larger snifters.
Most pint glasses you see in the USA will have the logo more or less printed onto the glass (which is why you should hand wash your pints or else the design might start to fade away). Firestone Walker came up with a more creative way to decorate their glasses. The Firestone Walker pint glass I own has their logo of a bear fighting a lion (how cool) etched into the glass. This gives the glass a sleekness and the scene some depth.
Beer glassware is the only thing I collect (oh and beer) as each one is unique–some more than others. Owning at least one of each style will enhance your experience and make the beer you are drinking feel that much more special. Buying glassware has become a way to hold onto the memories we have from a brewery visit, a night at a beer bar or a beer tasting. Glassware, the gift that keeps on giving.
Have a favorite to share with us? Let us know in the comments.